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Untangling Philippine Sound, Archive, And Knowledge: Workshop

The NWO Veni-Project Sonic Entanglements and the University of the Philippines Center for Ethnomusicology co-organize the “Untangling Philippine Sound, Archive, And Knowledge” on 5-6 August 2022. The workshop brings together archivists, scientists, and scholars from different disciplines working on/in the issues of post/de-colonial Philippine sound histories and sound cultures. The event… Continue reading →

When a lover says “I love you”, is it the words or is it the sayer that matters? or Is decoloniality an academic drag?

I am grateful to Eliza Steinbock and Laura Cull Ó Maoilearca for their invitation for me to present the keynote performance at the Symposium Archival Interactions: Performing Intersectional Counter-Archives at DAS Theatre. Despite covid-related setbacks, I was happy to have performed the video-performance-electronic music piece “When a lover says “I… Continue reading →

Synthesized Planet

Synthesized Planet. Is it possible to travel with the help of sound? To unknown places? We know, since the sound events of Sun Ra, that sound has a driving energy. It is an energy that can transport us away from all earthly borders to other planets. And when we speak… Continue reading →

Tuning In To Resonances

Tuning In To Resonances. It’s a contemporary survival technique: one checks websites and articles, in order to create a picture of someone before meeting them. Especially before flying 10,000km to meet a person for the first time, with whom one will publicly perform three days later. But this common practice… Continue reading →

Unknown Frequencies

Unknown Frequencies. We live in a noisy place. We live in the city. Because here the simultaneity of voices prevails.  In Unknown Frequencies, Marque-Lin, performance artist, and Emilio Cordero Checa, sound and light designer, look for the political power of noise, for the comfort within noise. Because the opposite of “music”… Continue reading →