Gaung – Unpredictable Resonance. Before the first note sounds, the room is already filled. Even the gods expect a special sound. We see an instrument and imagine its sound, we desire the first note, the beginning of the concert. We fill the room with our expectations.Expectations of what? The gamelan is… Continue reading
Decoloniality is a process–which could sometimes lead to uneasy encounters with the self. Listen to Ariel William Orah and Bilawa Respati‘s Gaung – Unpredictable Resonances tonight at Ballhaus Naunynstrasse, as they confront the auditory specters of nationalism, history, and tradition in the retuning of their bodies, voices, and instruments to… Continue reading
On Sunday, my video-lecture-performance will be shown at the Donaueschinger Musiktage. In this piece, I situate my reflection of the ‘sonus’ in contemporary art music’s reflexive meta-musical re-evaluation of itself as a sonic medium. I am, however, twice removed from this ‘performative’ act. I am physically not in the Donaueschingen–as… Continue reading