Many thanks to our hardworking editors, Christian Grüny and Brandon Farnsworth, for bringing to the finish line our new collected volume, “New Music and Institutional Critique” From the blurb: “This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s…
November Music Festival 2023 presents Eigenschwingungen – Forces of Overtones 2 November | 20:30-21:30Verkadefabriek StudioMore information on the November Festival Website. “The composer as commentator, director, performer and researcher. Various disciplines come together in the work of the Filipino-Dutch composer meLê yamomo. Work that has a powerful current value, in…
Decolonizing Southeast Asian Sound Archives (DeCoSEAS) grants up to four Southeast Asian candidates a three-month fellowship to work with one or more audio-visual collections located in the network’s Southeast Asian partner institutions. Successful applicants will commence their research in the first quarter of 2024, starting in February or March depending on…
“The composer meLê yamomo will receive the Open Ear Award on November 2, which the Trillende Lucht Foundation awards to composers who “show a world of their own” in their work. The awards ceremony will take place during the November Music festival. With cellist Eurico Ferreira Mathias, yamomo presents his…
Decolonizing Southeast Asian Sound Archives and the University of Amsterdam-Decolonial Dialogues present Interferences: Liminalities of Failures Interferences: Liminalities of Failures tune in to the colonial histories of radio and the decolonial possibilities of listening. Elizabeth Enriquez (University of the Philippines) will open the program with the keynote lecture Appropriation and…