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[Conference] »Embodied Histories – Entangled Communities. Southeast Asian and Western Approaches to Narratives and Performance Art«

On 13-14 June, I will speak about my recent performance  »Echoing Europe: Postcolonial Reverberations« at the »Embodied Histories – Entangled Communities. Southeast Asian and Western Approaches to Narratives and Performance Art« conference. You can find more information about the event on the conference website. I also include a short summary below…. Continue reading →

Tonaufnahmen als Trophäen

Jamal Tuschick reviewed Echoing Europe – Postcolonial Reverberations on der Freitag. “meLê yamomo zeigt in seinem Soundwerk „Echoing Europe – Postcolonial reverberations“ die europäische Aneignungs- und Kategorisierungsarroganz und ihre wissenschaftlichen Maskierungen im Geist der Traurigen Tropen. Er untersucht die Grenze zwischen „Musik“ und „Geräusch“ als gewaltsame Setzung nicht zuletzt. … Er… Continue reading →

Radio Feature: Sound-Performance „Echoing Europe“ – Der Klang des Kolonialismus

In time for our premiere, music critic Christoph Möller produced a feature on “Echoing Europe – Postcolonial Reverberations” on Deutschlandfunk Kultur. “Was Musik ist, entscheidet nach wie vor der Westen, meint der Musikwissenschaftler und Performer meLê yamomo. In seiner Sound-Performance „Echoing Europe“ will er koloniale Denkmuster in der Musik offenlegen… Continue reading →

Echoing Europe – Postcolonial Reverberations

A Sound Performance by meLê yamomo. Noise, din, background buzz, sound waves hit the eardrum. Sounds are physical touches. Touches of something unknown. If we knew what it was it might actually be “music”. Who decides what is “sound”? Who would classify it as “music”? Can we stand this touch?… Continue reading →