Our project, Decolonizing Southeast Asian Sound Archives (DeCoSEAS), invites up to four Visiting fellows from Southeast Asia for a three-month stay to work with one or more Southeast Asian collections within audio-visual archives located in Europe. For more information, visit the Current Call Page for DeCoSEAS Fellowship 2023. 1. Eligibility… Continue reading
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Ultima Context: Music Curation and Decolonisation
Dahlia BorschemeLê yamomoRob Young – moderator Friday, 16 September 2022, at 11:30–14:30 | Sentralen What are the best strategies to build an inclusive culture from the perspectives of arrangers and practitioners? A seminar with a strong participation element that aims to raise questns and suggest solutions in the current debate around diversity… Continue reading
Report: Untangling Philippine Sound, Archive, And Knowledge
On 5-6 August, nine scholars, scientists, engineers, historians, and musicians presented their sound archives and sonic theoretical reflections in the Untangling Philippine Sound, Archive, and Knowledge Workshop. We invited researchers and archivists who work with specific sound archives. We define a sound archive as a collection or library of sound… Continue reading
Untangling Philippine Sound, Archive, And Knowledge: Workshop
The NWO Veni-Project Sonic Entanglements and the University of the Philippines Center for Ethnomusicology co-organize the “Untangling Philippine Sound, Archive, And Knowledge” on 5-6 August 2022. The workshop brings together archivists, scientists, and scholars from different disciplines working on/in the issues of post/de-colonial Philippine sound histories and sound cultures. The event… Continue reading
When a lover says “I love you”, is it the words or is it the sayer that matters? or Is decoloniality an academic drag?
I am grateful to Eliza Steinbock and Laura Cull Ó Maoilearca for their invitation for me to present the keynote performance at the Symposium Archival Interactions: Performing Intersectional Counter-Archives at DAS Theatre. Despite covid-related setbacks, I was happy to have performed the video-performance-electronic music piece “When a lover says “I… Continue reading