Moritz Buchner of the Forum Transregionale Studien interviewed me about my ideas and experience in the creation of »Echoing Europe – Postcolonial Reverberations«. On 16-18 May, you premiered a sound performance entitled “Echoing Europe – Postcolonial Reverberations” at the Theater Ballhaus Naunynstrasse Berlin. Could you tell us the background of…
I was sitting at the Westergasfabriek last night watching the Pelargos Quartet play aboard and to the accompaniment of helicopters juddering over Amsterdam in Stockhausen’s opera, Aus Licht when I received a text message announcing that I won the ASCA 2019 Best Article award! I did not even think I…
On 27-28 June 2019 at Haus der Kunst, München, I will be speaking about the topic “Performing Epistemic Disobediences in Manila and Southeast Asia? Decolonial Possibilities in José Maceda’s Udlot-udlot and Ugnayan” at the symposium »Pathways of Performativity in Contemporary Southeast Asian Art«. You can see more information about the symposium on the Haus…
On 13-14 June, I will speak about my recent performance »Echoing Europe: Postcolonial Reverberations« at the »Embodied Histories – Entangled Communities. Southeast Asian and Western Approaches to Narratives and Performance Art« conference. You can find more information about the event on the conference website. I also include a short summary below….
Jamal Tuschick reviewed Echoing Europe – Postcolonial Reverberations on der Freitag. “meLê yamomo zeigt in seinem Soundwerk „Echoing Europe – Postcolonial reverberations“ die europäische Aneignungs- und Kategorisierungsarroganz und ihre wissenschaftlichen Maskierungen im Geist der Traurigen Tropen. Er untersucht die Grenze zwischen „Musik“ und „Geräusch“ als gewaltsame Setzung nicht zuletzt. … Er…