On 27-28 June 2019 at Haus der Kunst, München, I will be speaking about the topic “Performing Epistemic Disobediences in Manila and Southeast Asia? Decolonial Possibilities in José Maceda’s Udlot-udlot and Ugnayan” at the symposium »Pathways of Performativity in Contemporary Southeast Asian Art«. You can see more information about the symposium on the Haus…
On 13-14 June, I will speak about my recent performance »Echoing Europe: Postcolonial Reverberations« at the »Embodied Histories – Entangled Communities. Southeast Asian and Western Approaches to Narratives and Performance Art« conference. You can find more information about the event on the conference website. I also include a short summary below….
Jamal Tuschick reviewed Echoing Europe – Postcolonial Reverberations on der Freitag. “meLê yamomo zeigt in seinem Soundwerk „Echoing Europe – Postcolonial reverberations“ die europäische Aneignungs- und Kategorisierungsarroganz und ihre wissenschaftlichen Maskierungen im Geist der Traurigen Tropen. Er untersucht die Grenze zwischen „Musik“ und „Geräusch“ als gewaltsame Setzung nicht zuletzt. … Er…
In time for our premiere, music critic Christoph Möller produced a feature on “Echoing Europe – Postcolonial Reverberations” on Deutschlandfunk Kultur. “Was Musik ist, entscheidet nach wie vor der Westen, meint der Musikwissenschaftler und Performer meLê yamomo. In seiner Sound-Performance „Echoing Europe“ will er koloniale Denkmuster in der Musik offenlegen…
On 16 May, I will be premiering a new music theatre/sound performance piece entitled »Echoing Europe – Postcolonial Reverberations«. You can read the dramaturgical notes on the Theater Ballhaus Naunynstrasse website. Tickets are now available on the Berlin Bühnen website. (Up there is a picture at the rehearsal studio.) If…