On Sunday, my video-lecture-performance will be shown at the Donaueschinger Musiktage. In this piece, I situate my reflection of the ‘sonus’ in contemporary art music’s reflexive meta-musical re-evaluation of itself as a sonic medium. I am, however, twice removed from this ‘performative’ act. I am physically not in the Donaueschingen–as…
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The Sonic Entanglements Podcast is up!
I am excited to announce that the Sonic Entanglements Podcast is now online. This series examines the history of sound in Southeast Asia, through conversations with sound experts: historians, archivists, sound engineers, artists, and scholars. In presenting postcolonial and decolonial sound scholarship through podcast, this show underscores the sonicity of…
Mulat sa Musika ng Kultura 2
Manila Men (Remix): Sonus and Sonic Migration will reprise at the Mindanao State University – Center for Culture and Arts Studies’s webinar series Mulat sa Musika ng Kultura 2: Perspectives of Music in the Philippines. Save the date: 7 May at 3 PM Philippine Time. From MSU’s website: Continuing from…
[Brecht Tage] Echoing Europe – Gespräch über postmigrantisches und episches Theater
This year’s Brecht Tage, curated by Luise Meier and Florian Thamer commemorates the 150th anniversary of the Paris Commune in a four-day program entitled, Funkhaus Commune. On Day 3, at 10PM on 20 March (Saturday), Fabian Larsson and I presents a video conversation where we discuss the need for an…
CTM 2021: Manila Men (remix): Sonus and Sonic Migrations
I will be presenting a collaborative lecture-performance at the CTM Festival 2021, in collaboration with (in order of appearance): Lonneke van Heugten, Pepe Dayaw, Ariel Orah, Ram de Jesus, Jean Barcena, Julien Enzanza, Hyeisoo Kim, Thijs van den Geest, Taïca Replansky, Daphne Brunet Abstract: The arrival of modernity is often hailed in…