My relationship with Theater Ballhaus Naunynstraße began in 2017 as a guest artist in the Intercultural Processes & Art: The Next Level Workshop. Since then, I participated in the Permanente Beunruhigung Festival (2018) and created the sound/performance pieces, Echoing Europe – Postcolonial Reverberations (2019) and sonus – the sound within us (2019). Read more on the details of my projects at Theater Ballhaus Naunynstraße below.
Projects:
sonus – the sound within us
sonus – the sound within us. What is the sound of memory? How do we listen to memory in its multitude – to histories? The sound of history is ephemeral.…
»Decolonial Frequencies Festival« (2021-2022)
https://ballhausnaunynstrasse.de/play/gaung-unvorherbestimmte-resonanz/
Echoing Europe – Postcolonial Reverberations
A Sound Performance by meLê yamomo. Noise, din, background buzz, sound waves hit the eardrum. Sounds are physical touches. Touches of something unknown. If we knew what it was it…
Permanente Beunruhigung | Beunruhigung 2
Permanente Beunruhigung | Beunruhigung 2. With: Quinsy Gario (poet & performance artist), Daniel Lima (artist, curator, editor & researcher), Lobadys Pérez (dancer & choreographer), meLê yamomo (sound and performance artist-scholar);…
Intercultural Processes & Art: The Next Level
Intercultural Processes & Art: The Next Level. Presentation of a performative laboratory of post-migrant arts.Post-migrant arts ‒ we ask ourselves: what are the current strategies, narratives and politics that can…