I have been asking myself: is it ever possible to decolonize from within the institutions of the empire? In inscribing subalternity within the language of inherently Eurocentric academia and institutional art, am I not then just complicit to colonialism? I reflect on these questions in the sound performance/composed theatre project Echoing… Continue reading
On 25 October, I will be premiering a new piece, »sonus — the sound within us« at Theater Ballhaus Naunynstraße. For this new project, I am excited to collaborate with Pepe Dayaw (performance artist), Morgan Sully (sound designer), Karlene Denolo-Hayworth (opera singer), Katherina Oliver (opera singer). What is the sound… Continue reading
Moritz Buchner of the Forum Transregionale Studien interviewed me about my ideas and experience in the creation of »Echoing Europe – Postcolonial Reverberations«. On 16-18 May, you premiered a sound performance entitled “Echoing Europe – Postcolonial Reverberations” at the Theater Ballhaus Naunynstrasse Berlin. Could you tell us the background of… Continue reading
On 27-28 June 2019 at Haus der Kunst, München, I will be speaking about the topic “Performing Epistemic Disobediences in Manila and Southeast Asia? Decolonial Possibilities in José Maceda’s Udlot-udlot and Ugnayan” at the symposium »Pathways of Performativity in Contemporary Southeast Asian Art«. You can see more information about the symposium on the Haus… Continue reading
On 13-14 June, I will speak about my recent performance »Echoing Europe: Postcolonial Reverberations« at the »Embodied Histories – Entangled Communities. Southeast Asian and Western Approaches to Narratives and Performance Art« conference. You can find more information about the event on the conference website. I also include a short summary below…. Continue reading