I am grateful to Eliza Steinbock and Laura Cull Ó Maoilearca for their invitation for me to present the keynote performance at the Symposium Archival Interactions: Performing Intersectional Counter-Archives at DAS Theatre. Despite covid-related setbacks, I was happy to have performed the video-performance-electronic music piece “When a lover says “I… Continue reading
SOUTHEAST OF NOW: Directions in Contemporary and Modern Art in Asia issue 6.1 is now out! Many thanks to Roger Nelson, Eva Ben, and Annie Jael Kwan for the thoughtful editing of this special issue. I contributed a short ‘rumination’ article entitled “Dis/Obedience Performed” about my conversations with friends, Therese… Continue reading
On Thursday, Eigenschwinungen – Forces of Overtones will conclude the Autumn 2021 edition of »Decolonial Frequencies« Festival. Come join us at Ballhaus Naunynstrasse. In this piece, I worked with cellist Eurico Ferreira Mathias to listen to the social compositions of fundamental and over tones that resound in our communal lives…. Continue reading
Today, on the main stage of Ballhaus Naunynstrasse, we re-assemble sound, memory, performativities, and history. From Friday until Monday, we reprise DECOLONIAL FREQUENCIES: sonus – the sound within us as part of the #decolonialfrequencies festival. Pepê Dayaw, Ariel William Orah, Karlene Moreno-Hayworth, and Katherina Oliver join me as we traverse… Continue reading
On Sunday, my video-lecture-performance will be shown at the Donaueschinger Musiktage. In this piece, I situate my reflection of the ‘sonus’ in contemporary art music’s reflexive meta-musical re-evaluation of itself as a sonic medium. I am, however, twice removed from this ‘performative’ act. I am physically not in the Donaueschingen–as… Continue reading