Today, on the main stage of Ballhaus Naunynstrasse, we re-assemble sound, memory, performativities, and history. From Friday until Monday, we reprise DECOLONIAL FREQUENCIES: sonus – the sound within us as part of the #decolonialfrequencies festival. Pepê Dayaw, Ariel William Orah, Karlene Moreno-Hayworth, and Katherina Oliver join me as we traverse…
Decoloniality is a process–which could sometimes lead to uneasy encounters with the self. Listen to Ariel William Orah and Bilawa Respati‘s Gaung – Unpredictable Resonances tonight at Ballhaus Naunynstrasse, as they confront the auditory specters of nationalism, history, and tradition in the retuning of their bodies, voices, and instruments to…
This Sunday (19 September 2021) at Ballhaus Naunynstrasse, we are opening the »Decolonial Frequencies« Festival with Sandeep Bhagwati‘s “The Sound Of Misunderstanding – Dhvanivala‘s Sonic Explorations”. * * * In the early 1960s a young Indian student comes to Darmstadt to do a PhD in physics. Cold War era –…
I am delighted to invite everyone to the »Decolonial Frequencies Festival« that I am curating. The festival will run through the theatre season 2021-2022 at Ballhaus Naunynstrasse. Familiar sounds and terrifying noises. The fleeting fragments of remembered melodies, favorite songs, the noise in our home street. We live in our sound…
In 2019, the Stiftung Genshagen invited me to perform Echoing Europe at the Schloss Genshagen as part of the Academy under the Trees 2020. It would have been interesting to bring the performance within such an imperial space and within the context of this year’s theme, Europe’s Evolving Approach to…