On Thursday, Eigenschwinungen – Forces of Overtones will conclude the Autumn 2021 edition of »Decolonial Frequencies« Festival. Come join us at Ballhaus Naunynstrasse. In this piece, I worked with cellist Eurico Ferreira Mathias to listen to the social compositions of fundamental and over tones that resound in our communal lives…. Continue reading
Today, on the main stage of Ballhaus Naunynstrasse, we re-assemble sound, memory, performativities, and history. From Friday until Monday, we reprise DECOLONIAL FREQUENCIES: sonus – the sound within us as part of the #decolonialfrequencies festival. Pepê Dayaw, Ariel William Orah, Karlene Moreno-Hayworth, and Katherina Oliver join me as we traverse… Continue reading
Decoloniality is a process–which could sometimes lead to uneasy encounters with the self. Listen to Ariel William Orah and Bilawa Respati‘s Gaung – Unpredictable Resonances tonight at Ballhaus Naunynstrasse, as they confront the auditory specters of nationalism, history, and tradition in the retuning of their bodies, voices, and instruments to… Continue reading
This Sunday (19 September 2021) at Ballhaus Naunynstrasse, we are opening the »Decolonial Frequencies« Festival with Sandeep Bhagwati‘s “The Sound Of Misunderstanding – Dhvanivala‘s Sonic Explorations”. * * * In the early 1960s a young Indian student comes to Darmstadt to do a PhD in physics. Cold War era –… Continue reading
I am delighted to invite everyone to the »Decolonial Frequencies Festival« that I am curating. The festival will run through the theatre season 2021-2022 at Ballhaus Naunynstrasse. Familiar sounds and terrifying noises. The fleeting fragments of remembered melodies, favorite songs, the noise in our home street. We live in our sound… Continue reading