Browsing Category Theatre

CANCELED: »Echoing Europe – Postcolonial Reverberations« April 2020 Reprise

Tomorrow would have been the re-opening of »Echoing Europe: Postcolonial Reverberations« at Ballhaus Naunynstrasse. However, this week, the gramophone, the shellacs, the reel-tapes, and radios shall remain silent, and the stage dark, until we could gather again as a community in the theatre. The Berlin Senator for Culture and Europe,…

Read More

Wie klingt Kolonialismus? meLê yamomo im Interview

Elisa Erkelenz came to Ballhaus Naunynstrasse to see Echoing Europe – Postcolonial Reverberations last December, and we talked about sound, music, performance, and archives. Thanks, Elisa for including our conversation on the latest edition of VAN Outernational Magazine. “yamomos Soundperformance im Ballhaus Naunynstrasse ist eine vielschichtige Überlagerung verschiedener Zeiten und Bewertungssysteme. Der Saal…

Read More

“Sometimes you only have to listen…” About the sonic entanglements of our colonial past

Sometime in summer, Stefan Donath and I were sitting at the glass-window-surrounded kitchen of the International Research Center “Interweaving Performance Cultures”, soaking in the sun and chatting about the premiere of Echoing Europe – Postcolonial Reverberations. You can eavesdrop on our conversation which is now an article on the Textures online magazine. I met…

Read More

The Room of the Diasporas (NYU-Abu Dhabi, 2019)

I’m excited to be at NYU Abu Dhabi next week for the reconvening of The Room of Diasporas project. The Room of the Diasporas: Per/Forming the “Diasporic Experience” On the Filipino Diaspora and re/creating spaces away from home as an act of imagining and self-preservation was originally a dramaturgical inquiry…

Read More

»Echoing Europe« Returns to the Stage in December

I have been asking myself: is it ever possible to decolonize from within the institutions of the empire? In inscribing subalternity within the language of inherently Eurocentric academia and institutional art, am I not then just complicit to colonialism? I reflect on these questions in the sound performance/composed theatre project Echoing…

Read More