Barbara Titus and I will be introducing our project Decolonizing Southeast Asian Sound Archives (www.decoseas.org) at the Amsterdam Museum Symposium, “The Future of the Dutch Colonial Past” in the session “Activism, Academic Research and Decoloniality” on Saturday 27 November at 09.30h CET in Amsterdam. On June 18th, the exhibition The…
Check our latest episode of Nusasonic Radio — “Vicissitudes” produced by CTM Festival In this episode, we hear from different voices of Berlin’s Southeast Asian diaspora who are active in music, sound, and art scenes. These voices are compiled into 4 segments: Segment 1: Soydivision and Un.thai.theld collectivesfeatures discussion by…
sonus – the sound within us. What is the sound of memory? How do we listen to memory in its multitude – to histories? The sound of history is ephemeral. And yet it persists. Electronic music, piano, lecture performance: in sonus ‒ the sound within us the performance artist and…
Today, on the main stage of Ballhaus Naunynstrasse, we re-assemble sound, memory, performativities, and history. From Friday until Monday, we reprise DECOLONIAL FREQUENCIES: sonus – the sound within us as part of the #decolonialfrequencies festival. Pepê Dayaw, Ariel William Orah, Karlene Moreno-Hayworth, and Katherina Oliver join me as we traverse…
Decoloniality is a process–which could sometimes lead to uneasy encounters with the self. Listen to Ariel William Orah and Bilawa Respati‘s Gaung – Unpredictable Resonances tonight at Ballhaus Naunynstrasse, as they confront the auditory specters of nationalism, history, and tradition in the retuning of their bodies, voices, and instruments to…