I am grateful to Eliza Steinbock and Laura Cull Ó Maoilearca for their invitation for me to present the keynote performance at the Symposium Archival Interactions: Performing Intersectional Counter-Archives at DAS Theatre. Despite covid-related setbacks, I was happy to have performed the video-performance-electronic music piece “When a lover says “I…
The DFG Project “Akustische Störungen. Postkoloniale und queere Potentiale sonischer Interventionen” at Freie Universität Berlin headed by Prof. Dr. Doris Kolesch is looking for Ph.D. candidates and postdoctoral researchers. The project takes my work on sound as a method of decoloniality as its theoretical starting point. „Wenn wir an Kolonialismus…
Margaret Munchheimer interviewed me for the podcast series The Big Playback. She asked me about my work as a sound artist and sound historian, and I shared my practice and philosophy on how I consider sound as a method of decolonization. I spoke about my theory of the sonus which…
I am excited to share with you this TIMEZONES podcast episode entitled »Ears on/of Makiling« — a collection of stories about the mountain we call our artistic home. Put on your headphones and listen to the tapestry of soundscapes from the mountain and of the sonic lives of Ibarangs across…
Barbara Titus and I will be introducing our project Decolonizing Southeast Asian Sound Archives (www.decoseas.org) at the Amsterdam Museum Symposium, “The Future of the Dutch Colonial Past” in the session “Activism, Academic Research and Decoloniality” on Saturday 27 November at 09.30h CET in Amsterdam. On June 18th, the exhibition The…