The NWO Veni-Project Sonic Entanglements and the University of the Philippines Center for Ethnomusicology co-organize the “Untangling Philippine Sound, Archive, And Knowledge” on 5-6 August 2022. The workshop brings together archivists, scientists, and scholars from different disciplines working on/in the issues of post/de-colonial Philippine sound histories and sound cultures. The event… Continue reading
I am grateful to Eliza Steinbock and Laura Cull Ó Maoilearca for their invitation for me to present the keynote performance at the Symposium Archival Interactions: Performing Intersectional Counter-Archives at DAS Theatre. Despite covid-related setbacks, I was happy to have performed the video-performance-electronic music piece “When a lover says “I… Continue reading
#DecolonialFrequencies Festival continues this spring with unexpected encounters and premieres. We also reprise earlier compositions and sound performances. In its second edition, non-hegemonic dialogue takes centerstage. A postmigrant artist’s life is a decolonial act. We invite musicians, sound artists, and performers who meet each other for the first time to… Continue reading
The DFG Project “Akustische Störungen. Postkoloniale und queere Potentiale sonischer Interventionen” at Freie Universität Berlin headed by Prof. Dr. Doris Kolesch is looking for Ph.D. candidates and postdoctoral researchers. The project takes my work on sound as a method of decoloniality as its theoretical starting point. „Wenn wir an Kolonialismus… Continue reading
Margaret Munchheimer interviewed me for the podcast series The Big Playback. She asked me about my work as a sound artist and sound historian, and I shared my practice and philosophy on how I consider sound as a method of decolonization. I spoke about my theory of the sonus which… Continue reading