Dearest friends, the Berlin Senate, last week, decided to extend the theatre closure due to the Corona pandemic until July 31, 2020. Because of this regulation, there will be no events at Theater Ballhaus Naunynstrasse until the end of summer break. This means the restaging of »sonus — the sound… Continue reading
Tomorrow would have been the re-opening of »Echoing Europe: Postcolonial Reverberations« at Ballhaus Naunynstrasse. However, this week, the gramophone, the shellacs, the reel-tapes, and radios shall remain silent, and the stage dark, until we could gather again as a community in the theatre. The Berlin Senator for Culture and Europe,… Continue reading
We’d like to share the trailer/rehearsal of Pasyon 2020 that Pepe Dayaw and I did a few weeks ago, right before the quarantine. We were unable to fully realize the performance due to the technical difficulties circumscribed by the global pandemic. We look forward to re-sounding/re-wiring voicings of passion next… Continue reading
Elisa Erkelenz came to Ballhaus Naunynstrasse to see Echoing Europe – Postcolonial Reverberations last December, and we talked about sound, music, performance, and archives. Thanks, Elisa for including our conversation on the latest edition of VAN Outernational Magazine. “yamomos Soundperformance im Ballhaus Naunynstrasse ist eine vielschichtige Überlagerung verschiedener Zeiten und Bewertungssysteme. Der Saal… Continue reading
This year, Deutschlandfunk Kultur (the arts and culture program of the German Radio Broadcasting Company) has commissioned me to create a new radio sound art piece about radio history and colonialism, tentatively titled Interferences: Liminalities of Failures. Although, it will not premiere at the CTM Festival this year, Marcus Gammel… Continue reading