Today, on the main stage of Ballhaus Naunynstrasse, we re-assemble sound, memory, performativities, and history. From Friday until Monday, we reprise DECOLONIAL FREQUENCIES: sonus – the sound within us as part of the #decolonialfrequencies festival. Pepê Dayaw, Ariel William Orah, Karlene Moreno-Hayworth, and Katherina Oliver join me as we traverse…
Decoloniality is a process–which could sometimes lead to uneasy encounters with the self. Listen to Ariel William Orah and Bilawa Respati‘s Gaung – Unpredictable Resonances tonight at Ballhaus Naunynstrasse, as they confront the auditory specters of nationalism, history, and tradition in the retuning of their bodies, voices, and instruments to…
This Sunday (19 September 2021) at Ballhaus Naunynstrasse, we are opening the »Decolonial Frequencies« Festival with Sandeep Bhagwati‘s “The Sound Of Misunderstanding – Dhvanivala‘s Sonic Explorations”. * * * In the early 1960s a young Indian student comes to Darmstadt to do a PhD in physics. Cold War era –…
Manila Men (Remix): Sonus and Sonic Migration will reprise at the Mindanao State University – Center for Culture and Arts Studies’s webinar series Mulat sa Musika ng Kultura 2: Perspectives of Music in the Philippines. Save the date: 7 May at 3 PM Philippine Time. From MSU’s website: Continuing from…
I will be presenting a collaborative lecture-performance at the CTM Festival 2021, in collaboration with (in order of appearance): Lonneke van Heugten, Pepe Dayaw, Ariel Orah, Ram de Jesus, Jean Barcena, Julien Enzanza, Hyeisoo Kim, Thijs van den Geest, Taïca Replansky, Daphne Brunet Abstract: The arrival of modernity is often hailed in…