Browsing Category Sound

Ultima Context: Music Curation and Decolonisation

Dahlia BorschemeLê yamomoRob Young – moderator Friday, 16 September 2022, at 11:30–14:30 | Sentralen What are the best strategies to build an inclusive culture from the perspectives of arrangers and practitioners? A seminar with a strong participation element that aims to raise questns and suggest solutions in the current debate around diversity…

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Report: Untangling Philippine Sound, Archive, And Knowledge

On 5-6 August, nine scholars, scientists, engineers, historians, and musicians presented their sound archives and sonic theoretical reflections in the Untangling Philippine Sound, Archive, and Knowledge Workshop. We invited researchers and archivists who work with specific sound archives. We define a sound archive as a collection or library of sound…

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Untangling Philippine Sound, Archive, And Knowledge: Workshop

The NWO Veni-Project Sonic Entanglements and the University of the Philippines Center for Ethnomusicology co-organize the “Untangling Philippine Sound, Archive, And Knowledge” on 5-6 August 2022. The workshop brings together archivists, scientists, and scholars from different disciplines working on/in the issues of post/de-colonial Philippine sound histories and sound cultures. The event…

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When a lover says “I love you”, is it the words or is it the sayer that matters? or Is decoloniality an academic drag?

I am grateful to Eliza Steinbock and Laura Cull Ó Maoilearca for their invitation for me to present the keynote performance at the Symposium Archival Interactions: Performing Intersectional Counter-Archives at DAS Theatre. Despite covid-related setbacks, I was happy to have performed the video-performance-electronic music piece “When a lover says “I…

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Akustische Störungen. Postkoloniale und queere Potentiale sonischer Interventionen

The DFG Project “Akustische Störungen. Postkoloniale und queere Potentiale sonischer Interventionen” at Freie Universität Berlin headed by Prof. Dr. Doris Kolesch is looking for Ph.D. candidates and postdoctoral researchers. The project takes my work on sound as a method of decoloniality as its theoretical starting point. „Wenn wir an Kolonialismus…

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